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Visual Impact Srbija doo

Oblakovska 28
11000 Beograd, Srbija
tel. +381 11 369 00 43
E-mail: info@visuals.rs

Za više informacija o našoj ponudi i zakazivanje demonstracije kontaktirajte nas


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Canon Novitet

Canon 17-120mm CINE-SERVO T2.95-3.9 PL
Canon 17-120mm
CINE-SERVO T2.95-3.9 PL

Fujinon Noviteti

Fujinon Cabrio 19-90mm/T2.9
Fujinon Cabrio
19-90mm/T2.9
Perfect Amira companion

Zeiss Noviteti

Zeiss CZ.2 70-200mm/T2.8
Zeiss CZ.2 70-200mm/T2.8

Compact Zoom CZ.2 28-80/T2.9
Compact Zoom CZ.2
28-80/T2.9

ARRI L7-C LE2

L7-C LE2 Brighter LED Light

Cena: € 2490,00
Cena proizvoda je bez PDV-a

All Studio

  • The ARRI L7-C Color LED Fresnel is part of is at the vanguard of a new generation of lighting equipment that can be seamlessly integrated into the studio or onto the set without sacrificing features or performance.
  • The key characteristic of any Fresnel is flood to spot capability and the L7-C meets and exceeds expectations with an impressive beam angle of 15-50°. There‘s simply no learning curve or accommodation to be made when swapping out L7s fixture for fixture with standard Fresnels. In fact, you‘re not going to be moving them around or juggling scrims in high places thanks to the 100 - 0% on-board dimming.
  • The L7-C is a "fully tune-able" white light source, too, allowing you to match existing fixtures from a warm 2,700K to ice-blue 10,000K. The on-board controller allows manual intensity control as well as color temperature and +/- green. Specific color shades and skin tones can be matched through the full gamut color mixing feature. All of the functions can be controlled via DMX, an ideal feature for broadcast studios. And the L7-C will be seen but not heard thanks to its dead quiet passive cooling system. While inclement weather might annoy the talent it won‘t kill your light since L7-C has an IP54 rating making it impervious to falling rain and splashing water.
  • The L7-C LED source produces the equivalent of a 750W tungsten light while drawing only 220W for a savings of a whopping 75% over similar output tungsten lights. And low heat means lower AC bills in the studio. You can actually run 9 L7s off of a 20A, 110V outlet as opposed to two 1,000W or three 650W standard fixtures. When it comes to performance and features, the L7-C might just be the perfect light source.
  • Familiar But Revolutionary - Quality of light begins with the field. Smooth intensity, uniform color, even illumination: all are traits shared by the L-Series and conventional ARRI Fresnels. And, as Fresnel fixtures are already workhorses of the lighting industry, designers and technicians now have nothing new to learn in order to use LED technology
  • Focusability - A key element of the versatility of traditional Fresnels is the ability to spot and flood the beam as needed. Whether it‘s a flood field for a pullback shot or a tight spot for a bright highlight, the continuous focusability of the L-Series performs lives up to your expectations. And, unlike traditional Fresnels, which have significant light waste in spot focus, the efficient L-Series optical system maintains the same field lumens in all focus positions.
  • Versatile, Controllable Beam - Whether shaping the beam to isolate talent and set elements or cutting the field to eliminate spill light, controllability is crucial to lighting. L-Series Fresnels provide the same ability to cut and shape with barndoors and flags that we have come to expect from conventional Fresnels.
  • Even Light Field - Clear, defined shadows have traditionally have only been a trait of single source tungsten and daylight fixtures. ARRI L-Series Fresnels provide the same single shadow properties designers expect, delivering natural results.
  • Color: Vibrant, Full-spectrum Lighting - With the L7-C, fully tune-able white light can be adjusted for different skin tones, camera sensors and mixed-light environments, while specific color shades can be matched through full gamut color mixing. Unlike other LED fixtures, this level of color control does not involve compromising the quality of the light field: the L-Series is unique in combining uniform light and single shadow rendition with absolute control of color attributes.
  • Passive Cooling - To satisfy the rigorous sound requirements of modern broadcast studios, the groundbreaking L-Series passive cooling system incorporates no moving parts or fans and is therefore completely silent; it can be used in ambient air temperatures of up to 95° (35°C).
  • Weather Protection - One of the most significant accomplishments in terms of the L7‘s robustness is the IP54 rating for weather resistance. The entire fixture is protected from falling rain and splashing water, at any angle, while the internal electronics, optics and LEDs are protected from dust, dirt and humidity.
  • Focus Knobs - True Blue-style focus knobs provide the precise adjustment and rapid flood-to-spot that users enjoy from manual, mechanical control. Knobs on both sides of the fixture ensure easy access from all positions, eliminating the need for awkward reaching around the fixture. Turning the knobs is neither tedious nor time-consuming; full flood-to-spot can be achieved in only three turns.
  • DMX Control - For broadcast studios, remote fixture control is of paramount importance, and all functions of the L7 are controllable through DMX. The L7 is also fully RDM compatible, providing bi-directional feedback and reporting of parameters including system status, hours on the light engine, calibration data from the internal color sensor and current DMX address (with the ability to remotely assign and address all fixtures in a DMX network).
  • On-board Control - The on-board controller has manual intensity adjustment and additional controls for color temperature and plus/minus green, which can be switched to manipulate hue and saturation at the touch of a button.
  • Energy Savings - There is much discussion about the "green" credentials of LEDs in the market, but perhaps the most compelling aspect in this regard is the associated cost savings. L-Series fixtures reduce electricity usage by 75% and their LED light engines last 200 times longer than normal bulbs, when compared to conventional tungsten Fresnels. These and other cost-saving attributes will combine to affect a rapid return on your investment.
  • L1.31330CR L7-C Hybrid P.O. Blue-Silver Bare Ends
  • Fully Tuneable from 2800 - 10,000K
  • Plus/Minusgreen correction
  • Vibrate Color Selection (RGB+W Color Gamut)
  • Hue and Saturation Control
  • High Color Rendering
  • Low Power Consumption (160W Nominal)
  • Fully Dimmable
  • True Fresnel Lens Light Characteristics
  • Onboard DMX In and Out
  • RDM Implementation
  • USB Mini Connection for Firmware Updates
  • Hybrid or Active Cooling Options
  • Available in Silver and Black
  • Fan Mode Selection
ARRI Compact 6000 Plus Set

ARRI Compact 6000 Plus Set
Lighting | Studio

ARRI L7-DT

ARRI L7-DT
Lighting | Studio

ARRI L7-TT

ARRI L7-TT
Lighting | Studio

ARRI ARRILUX 125 PocketPAR Profiset

ARRI ARRILUX 125 PocketPAR Profiset
Lighting | Portable

ARRI ARRILITE 750 Plus 3 Light Kit

ARRI ARRILITE 750 Plus 3 Light Kit
Lighting | Portable

ARRI 650/3 Lighting Kit

ARRI 650/3 Lighting Kit
Lighting | Portable

ARRI 300/650 Fresnel Combo Lighting Kit

ARRI 300/650 Fresnel Combo Lighting Kit
Lighting | Portable

ARRI ARRISUN 60 Set

ARRI ARRISUN 60 Set
Lighting | Film and Location

ARRI LoCaster

ARRI LoCaster
Lighting | Portable

Specifikacija artikala je informativnog karaktera. Visual Impact d.o.o. ne odgovara za eventualne greške nastale u opisu proizvoda, greške štampanja i greške prilikom promene cene. Slike artikala su ilustrativne i ne moraju u potpunosti odgovarati artiklima.
Za više informacija o našoj ponudi i zakazivanje demonstracije kontaktirajte nas
na telefon +381(0)11 369 0043 ili na e-mail info@visuals.rs

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