Visual Impact Srbija doo

Oblakovska 28
11000 Beograd, Srbija
tel. +381 11 369 00 43

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Canon Novitet

Canon 17-120mm CINE-SERVO T2.95-3.9 PL
Canon 17-120mm

Fujinon Noviteti

Fujinon Cabrio 19-90mm/T2.9
Fujinon Cabrio
Perfect Amira companion

Zeiss Noviteti

Zeiss CZ.2 70-200mm/T2.8
Zeiss CZ.2 70-200mm/T2.8

Compact Zoom CZ.2 28-80/T2.9
Compact Zoom CZ.2

ARRI ALEXA 35 Body and LPL Mount Set

4K Super 35 camera

Cena: € 66870,00
Cena proizvoda je bez PDV-a

All Cinematography

  • ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor for 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colors. The new REVEAL Color Science takes full advantage of the sensor’s image quality and provides a fast, simple workflow, while ARRI Textures enhance in-camera creative control. Easy operation, robust build quality, new electronic accessories, and a complete new mechanical support system round out the ALEXA 35 platform.
  • Camera measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Filmmakers gain 1.5 stops in the highlights and a stop in the shadows over previous ALEXA cameras, while retaining the naturalistic, film-like highlight roll-off. Sophisticated stray-light suppression ensures that the full character and contrast range of each lens is captured. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best possible source for HDR (High Dynamic Range) projects.
  • Impressively low noise and sensitivity settings ranging from EI 160 to EI 6400 make ALEXA 35 a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in low light. This exceptional sensitivity, combined with the wider dynamic range and truer contrast, allows ALEXA 35 to capture the most delicate nuances of light and shadow in a wider range of shooting situations. Filmmakers can work with available light in real locations, safe in the knowledge that even at extreme ISO values, any noise will have a pleasingly film-like structure.
  • With its Super 35 4:3 native 4K sensor, ALEXA 35 can be used with the vast global inventory of existing lenses—modern and vintage, anamorphic and spherical, Super 35 and large format. Filmmakers wanting to shoot with ARRI cameras while having to fulfill 4K mandates now have an immeasurably broader lens choice. A total of 19 recording formats, incorporating efficient in-camera downsampling and anamorphic de-squeezing, allow productions to optimize data rate, resolution, and other parameters, based on their individual needs. Mixed Reality Productions (MRP) will benefit from the camera‘s ability to record lens metadata in all common standards and output real-time streaming metadata to ARRI‘s Live Link Metadata Plug-in for Unreal Engine.
  • ARRI has crafted a new line of bespoke ALEXA 35 accessories that expand the camera‘s capabilities and ensure maximum speed and versatility on set. Closely integrated electronic accessories offer additional power outputs or extended audio features. A complete new set of mechanical support items provides flexible options for any situation, scaling quickly and easily from a small and lightweight setup to a full-blown production configuration. ALEXA 35 is available in sales sets that group together components suitable for different shooting styles and production types, with further accessories and system options facilitating countless setups.
  • ALEXA 35 utilizes the B-Mount battery interface, an open industry standard endorsed by ARRI and the wider industry. Providing high-capacity 24 V power, but also able to support 12 V, B-Mount offers more efficiency and improved data communication over previous systems. Cross-compatible with camera, lighting, and stabilizer equipment from manufacturers worldwide, it enables productions to streamline their power requirements.
  • ARRI’s functional and educational online resources for filmmakers draw on the company’s uniquely diverse products and services, its direct contact with producers and creatives, and its extensive knowledge of postproduction.A range of free-of-charge tools, apps, and tutorials can be found in the Learn & Help section of ARRI’s website. In addition to the standalone apps showcased here, they include the ARRI Frame Line & Lens Illumination Tool, ARRI Formats and Data Rate Calculator, and ARRI Camera Simulator to help you navigate the menus of ARRI cameras such as the ALEXA 35.
  • Sensor Type
    Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array
  • Sensor Photosites and Size
    4608 x 3164
  • Sensor Frame Rates
    0.75 - 120 fps
  • Project Frame Rates
    23.976, 24, 25, 29.97, 30, 47.952, 48, 50, 59.94, 60 fps
  • Weight
    2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))
  • Photosite Pitch
    6.075 µm
  • Sensor Active Image Area (dimensions)
    4.6K 3:2 Open Gate: 28.00 x 19.20 mm/1.102 x 0.756in
    4.6K 16:9: 28.00 x 15.70 mm/1.102 x 0.618in
    4K 16:9: 24.90 x 14.00 mm/0.980 x 0.551in
    4K 2:1: 24.90 x 12.40 mm/0.980 x 0.490in
    3.3K 6:5: 20.22 x 16.95 mm/0.796 x 0.693in
    3K 1:1: 18.70 x 18.70 mm/0.737 x 0.737in
    2.7K 8:9: 16.70 x 18.70 mm/0.656 x 0.738in
    2K 16:9 S16: 12.40 x 7.00 mm/0.490 x 0.276in
  • Exposure Index
    Adjustable from EI 160 - 6400 in 1/3 stops
  • Dynamic Range
    17 stops (2.5 more than with previous ALEXA cameras)
  • Shutter
    Electronic shutter, 5.0°- 356° or 1s - 1/8000s
  • Recording Codecs
    MXF/Apple ProRes 4444 XQ
    MXF/Apple ProRes 4444
    MXF/Apple ProRes 422 HQ
  • Recording Media
    Codex Compact Drive 1TB (CA08-1024)
    Codex Compact Drive 2TB (CB16-2048)
  • Recording Modes
    Standard real-time recording, Pre-recording
  • Viewfinder Type
    Multi Viewfinder MVF-2 with OLED viewfinder display (1920 x 1080)
    4in LCD flip-out monitor (800 x 400)
  • Viewfinder Diopter
    Adjustable from -5 to +5 diopters
  • Color Output
    Rec 709, Rec 2020, Rec 2100 PQ, Rec 2100 HLG, LogC4
  • Look Control
    ARRI Textures
    Custom color look (through ARRI Look File ALF4 or ARRI Look Library)
  • White Balance
    Manual and auto white balance, adjustable from 2000K to 11000K
    Color correction adjustable from -16 to +16 CC
    (1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values)
  • Filters
    Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8
    Fixed optical low pass, UV, IR filter
  • Lens Squeeze Factors
    1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00
  • Exposure and Focus Tools
    False Color, Zoom, Aperture and Color Peaking
  • Audio Input
    1x AUDIO (LEMO 6-pin) for balanced stereo line in
    (line input max. level +24 dBu correlating to 0 dBFS)
    Two built-in microphones for scratch audio
    With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES)
  • Audio Output
    1x 3.5 mm stereo headphone connector(on MVF-2)
    2x SDI(embedded audio)
  • Audio Recording
    4 channel linear PCM (24 bit, 48 kHz)
  • Interfaces
    1x LBUS (LEMO 4-pin) for lens motors, daisy chainable
    1x SERIAL (LEMO 4-pin) for distance measuring accessories
    1x TC (LEMO 5-pin) for timecode In/Out
    1x ETH (LEMO 10-pin) for remote control and service
    1x SYNC IN (BNC) for Genlock synchronization
    1x RET IN (BNC, switchable on SDI 2)
    1x USB-C for user setups, look files etc
    1x Rear Interface (18-pin Pogo)
    1x Top Interface (5-pin Pogo)
  • Wireless Interfaces
    Built-in WiFi module (IEEE 802.11b/g)
    Built-in White Radio for ARRI ECS lens and camera remote control
  • Lens Mounts
    ARRI LPL Mount (LBUS)
    ARRI PL-to-LPL Adapter
    ARRI PL Mount (LBUS)
    ARRI PL Mount (Hirose)
    ARRI EF Mount (LBUS)
    Leitz M Mount for ARRI
  • Flange Focal Depth
    LPL Mount: 44 mm , PL mount: 52 mm
  • Power Input
    1x PWR (LEMO 8-pin)
    1x BAT (camera rear interface / battery adapter)
    20.5 - 33.6 V DC
  • Power Consumption
    ~ 90 W (Camera body and MVF-2)
  • Power Outputs
    1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse
    1x 12 V (LEMO 2-pin) for 12 V accessory power out
    1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable
    1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out
    1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out
    With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap
  • Measurements (HxWxL)
    147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0" (camera body with LPL lens mount)
  • Operating Temperature
    -20° C to +45° C / -4° F to +113° F @ 0-95% RH
  • Storage Temperature
    -30° C to +70° C / -22° F to +158° F
  • Sound Level
    < 20 dB(A) at 30 fps, recording 4K 16:9 - UHD, Apple ProRes 4444 XQ, = +30° ambient temperature
  • Set includes:
    - K1.0039373 1x ALEXA 35 camera body
    - 10.0043678 1x ALEXA 35 Cine License
    - K2.0034180 1x Balance Utility Dovetail BUD-1
    - K2.0023751 1x B-Mount Battery Adapter
    - K2.0018983 1x ARRI LPL Mount (LBUS)
    - K2.0016936 1x ARRI PL-to-LPL Adapter
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Specifikacija artikala je informativnog karaktera. Visual Impact d.o.o. ne odgovara za eventualne greške nastale u opisu proizvoda, greške štampanja i greške prilikom promene cene. Slike artikala su ilustrativne i ne moraju u potpunosti odgovarati artiklima.
Za više informacija o našoj ponudi i zakazivanje demonstracije kontaktirajte nas
na telefon +381(0)11 369 0043 ili na e-mail